Stéphanie Moris’s abstract, non-representational photographs are free of all referents, taking the eye beyond appearances and inviting the viewer to project his or her own personal feelings. The boundaries between the different plastic arts tend to blur: is this photography? Painting? Drawing?
An art historian, Stéphanie Moris decided in 2022 to switch from studying artists to exhibiting her own creations. Her plastic photographs reflect a desire to visually transcribe interiority and emotions, through free digital image processing.